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Cracks By Sheila Kohler Ukarma - [Free] Cracks By Sheila Kohler Ukarma [PDF] [ EPUB] ebook pdf library cracks sheila kohler pdf corpus of. Fiamma fainted in chapel this morning. The teachers do not know we make ourselves do it, though they suspect we do. They even had a doctor brought in to . Cracks Sheila Kohler the lalungs,the last centuries of byzantium ,the last kingdom episode 3,the kitchen boy a novel of the last tsar,the lake house.

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Cracks by Sheila Kohler, , Zoland Books edition, in English - 1st ed. cracks sheila kohler pdf - tangentmusicllc - cracks sheila kohler. , when spring comes, jquery tutorial for beginners nothing but the. Cracks Sheila Kohler - [Free] Cracks Sheila Kohler [PDF] [EPUB] Cracks is a British independent psychological thriller drama film directed.

Like most people who have reviewed this book, I decided to seek this out because I had just watched the movie version and wanted to know how the two compared. And wow. Fiamma, the wealthy and beautiful new student, is from Spain and has a tragic, scandalous past. Cracks , the book, takes place in South Africa and alternates between two time periods: The swimming team has twelve members which means twice as many characters to keep track of, and consequently none of them get fleshed out properly , and Fiamma is Italian, and her character is much harder to pin down and define. Comparing the two stories is an interesting study in the art of adaptation, and I could easily write an entire review about just that, but I digress.

To ask other readers questions about Cracks , please sign up. I noticed the similarities but is the source acknowledged anywhere? See 1 question about Cracks…. Lists with This Book. Community Reviews. Showing Rating details. Sort order. Jul 29, Madeline rated it did not like it Shelves: I knew what I was getting into with this one, I really did. Like most people who have reviewed this book, I decided to seek this out because I had just watched the movie version and wanted to know how the two compared.

Going into this book, I knew that the movie had taken several huge steps away from Kohler's original story, and based on that knowledge I was pretty sure I wouldn't love the book as much as I loved the movie. And I was positive that the book version of Miss G couldn't come close to I knew what I was getting into with this one, I really did. And I was positive that the book version of Miss G couldn't come close to Eva Green's charismatic, psychotic portrayal.

And wow. I knew the book and the movie were different; I just wasn't prepared for how different.

Cracks , the movie, takes place in England in the 's, with a diving team that consists of only six girls. Fiamma, the wealthy and beautiful new student, is from Spain and has a tragic, scandalous past. Cracks , the book, takes place in South Africa and alternates between two time periods: The swimming team has twelve members which means twice as many characters to keep track of, and consequently none of them get fleshed out properly , and Fiamma is Italian, and her character is much harder to pin down and define.

It's interesting, because although the movie drastically changed the big aspects of the story - setting, time period, character outlines - it kept a surprising amount of small details that appear in Kohler's book.

Comparing the two stories is an interesting study in the art of adaptation, and I could easily write an entire review about just that, but I digress. Kohler's book, as I said, takes place primarily in a girls' boarding school in South Africa in the 's those looking for discussions about the political situation in South Africa will be disappointed; the social and racial issues are only hinted at and never addressed directly. The core group of characters are the twelve members of the school swimming team, who get a new member in Fiamma Coronna.

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Fiamma is an Italian aristocrat, and everyone is immediately fascinated by her - especially Miss G, the swimming teacher, whose fascination with Fiamma turns to obsession as the other girls become increasingly jealous. Sometime during that year, Fiamma disappeared in the countryside around the school, and the book unravels the mystery of what happened to her and why, interspersed with scenes of the girls returning to the school as middle-aged women.

I dunno, maybe I would have been more engrossed by the story if I hadn't known what happened to Fiamma already, thanks to the movie but those who have seen the movie will still be surprised - the circumstances of Fiamma's death differ greatly in the book. Because I wasn't busy trying to figure out how Fiamma disappeared, I was able to focus on other aspects of the story.

And some of the narrative choices Kohler made are The book is narrated by an omnipresent "we" - which, I think, was a good choice. Instead of focusing on a single main character, Kohler makes the girls into one single group entity, which both reinforces the terrifying groupthink of the girls and emphasizes how they are all collectively responsible for what happened to Fiamma.

There is no "I" or "she" to pin the tragedy on; everyone is guilty. That was good; less good is the fact that one of the girls is named Sheila Kohler.

Who grows up to be a writer. I have no idea what to make of this. On the one hand, it's an incredibly brave move to put yourself in a story like this, and to tie yourself so directly to the horrors committed in this book. On the other hand, it's weird, because "Sheila Kohler" is not the narrator of the book the narrator is the mysterious "we" , so we're seeing her actions, as we see all the girls actions, from a removed distance.

Is this Kohler's way of keeping herself at a safe distance from the events she recounts?

And most importantly, is Kohler doing the Tim O'Brien thing where she makes herself a character in a fictional story to make it more real for the reader, or does this book mean that Sheila Kohler once view spoiler [participated in the rape and murder of a classmate when she was fourteen?

I'm going with the first explanation, because that's the only way I'll be able to to sleep at night. Other terrible narrative choices: Which, fine, but it doesn't make them any more painful to read.

And the decision to show scenes of the women as adults returning to the school serves no fucking purpose. The movie adaptation wisely chose to get rid of this aspect, and it was a wise choice: But even Kohler's book refuses to make this happen - what is the point of showing us these girls as adult women if they're not going to deal with what they did when they were teenagers?

There's no reflection, no remorse, no discussion of what happened to Fiamma, and I don't understand the point of showing the women returning to the school. This is the main reason I prefer the movie version: Miss G. Teenage girls and their psychotic cult-like cliques can be forgiven over time; Miss G was an adult who knew exactly what she was doing when she decided to ruin a teenage girl's life. And Movie Miss G is much more nuanced, revealing insecurities and mental instability beneath her carefully-crafted facade the movie does a very clever thing where Miss G's hair, makeup, and clothing gradually become more messy and unpolished over the course of the movie as she unravels.

Book Miss G is merely a cliche of a predatory older bull dyke who seduces young girls, like the worst nightmare of fundamentalists everywhere. That's what I want people to take from this review: Get your psychotic schoolgirl fix, and give Kohler's book a pass. I will have no inhibitions here!

Give me your secrets, girls, give me the dark depths of your hearts, and I will give you the light. Search your hearts, for the universe lies therein,' and we searched and searched. She said there were certain subjects we should get out of the way, so that we could go about our business.

She knew what we were thinking. View all 8 comments. Sep 15, Catherine Siebel rated it did not like it. This is, hands down, among the worst books I have ever read. I have no idea what other people see in it. My gripes are many, but I'll try to limit them to things that people might find useful: This makes is extremely difficult to conjure any sympathy for the narrator, which I imagine the reader should feel.

Consequently, it's difficult to care about any of them. Not a single mention of apartheid? Have any of these people ever BEEN year-old girls? Did you really all strip naked around each other just for giggles -- repeatedly? Of course not. You were as self-conscious as the rest of us. If I can't deduce these points from the chapter, you haven't written a very good book. I could go on about the laughably bad ending, the snippets of the worst and most useless poetry I have ever encountered, etc.

Suffice it to say: I threw it across the room in disgust no fewer than three times. View 1 comment. Jun 08, C. Cole rated it really liked it. As in the above description, the setting is in South Africa and Fiamma is an Italian girl from an aristocratic family.

As a teenager, she enrolls in an isolated school with other girls her age but has little in common with them, and with the aid of a favored but abusive teacher, the situation degenerates into bullying and finally tragedy.

What I found interesting is how the story crosses so many layers in human culture that fulminates in the horrendous ending.

However, being beautiful, rich, well read, and an excellent swimmer, everyone had some level of obsession with Fiamma.

The swimming teacher, Miss G, was the favorite of the girls because she made them feel special. But when she found Fiamma more special than everyone else, it drew the ire of them all, despite of her known mental instability. Miss G abused her position as teacher by manipulating the girls, abusing Fiamma and the other teachers turned a blind eye to the obvious behavior. Last, but not least, is the ultimate breakdown of humanity by bullying kids not understanding the consequences of their actions.

The lack of accountability to society of the crime is disturbing and opens the bare truth that young people do terrible things with few good answers regarding rule of law. The book adds many more elements than the film. Four stars! Dec 07, Veda rated it it was amazing.

Beautifully written - incredibly scary and mesmerizing. This review has been hidden because it contains spoilers. To view it, click here. I watched the movie before reading the book. They are quite different, but not in a bad way. First of all the setting is different: Some characters have different names Rosie, Poppy, etc. I found the movie scene in which Fiamma a Spanish student in the movie, Italian in the book gets killed quite disturbing already, but in the book she gets raped I watched the movie before reading the book.

I found the movie scene in which Fiamma a Spanish student in the movie, Italian in the book gets killed quite disturbing already, but in the book she gets raped by the girls before dying from the wounds that is how I think she died. It was VERY disturbing to read the rape scene, because my guess was that she only disappeared in the book and therefore escaped from the girls and Miss G and that's it. But Kohler "outplayed" the finale of the movie by adding the gang rape scene.

I dislike the girls of Miss G's swimming team even more. It digusts me how jealousy toward Fiamma's family background and her wealth and hatred toward Fiamma, because she didn't give in to Miss G's quite dubious approaches, in order to please the girls changes you.

I might also add that I enjoyed both the movie and the book. View all 7 comments. Sep 05, Jennifer Higgins rated it really liked it. I read about this one in Vanity Fair. It is being made into a movie starring Eva Green the sexy French woman from one of the recent Bond movies. I found this little pager really moving. I liked the use of the collective "we" as the narrator. The book was strangely moving for me. Even though these girls were so together and acted as a group in many ways, they were all hurting so much by being apart from their families.

They all want the love and attention of Miss G so badly as some sort of r I read about this one in Vanity Fair.

They all want the love and attention of Miss G so badly as some sort of replacement. I was surprised by the cause of Fiamma's death. Even though the story hinted all along the way about the tragic ending, I really hoped it would turn out differently. I was surprised though that the girls, now back at the school as adults, did not atone more for their actions. Their regret and sorrow felt flat to me. I would definitely recommend this book.

Please read it so we can discuss it at length! Cracks is one of those dream-like books that makes the reader walk around in a daze. If crafted correctly, such books can be amazing reading experiences, but unfortunately Cracks fell short. The writing with all the repeated phrases was hazy though this perhaps enhanced the mood of the story.

The way in which the book was framed as a memory being shared by the characters many years later didn't add to the story. I did enjoy the setting and the evocative descriptions.

However, I quest 1. However, I questioned the plausibility of why parents would send their daughters to a remote, isolated boarding school in South Africa and other such incredulities. Since I had seen the movie first, the ending lost its punch for me and didn't disturb me in the intended way. As most other reviews have said, the movie version of Cracks is more finely tuned and actually tells the story in a more striking manner than the book. Oct 27, Kelly rated it liked it Shelves: Hmm, this was good Cracks is the tale of a group of young teenage girls at a South African boarding school back in the 60's.

The weather is hot and dry, the school is isolated, and the girls don't have much in the way of strict supervision. The South African scenery was well-described, and I could absolutely feel the brutal summer heat radiating off the pages. Thirteen of the girls are chosen by Miss G to be on the swim team, including beautiful new-girl Fiamma, who keeps her dista Hmm, this was good Thirteen of the girls are chosen by Miss G to be on the swim team, including beautiful new-girl Fiamma, who keeps her distance and keeps to herself, never really becoming a part of the group.

The story is told from a "we" perspective by one of the swim team members, some 40 years later, after the girls meet back at the school for a reunion.

The narrator who is telling the story is none other than the author herself - which is odd, because this is a fictional book, supposedly.

Sheila Kohler made herself one of the characters in the book or at least someone of her own name - not sure that I've ever seen that before! All the girls on the swim team have what they call "cracks" crushes on Miss G, who is one strange and inappropriate lady, to say the least.

Cracks by Sheila Kohler

Furthermore, all of the girls experiment sexually with each other, touching each other and running around naked. Does this really happen at all-girl schools??? I would like to know, because I have no idea how realistic the book is in that regard. The author is married to a man or else I would assume that she is a lesbian, since it's such a major theme in the book.

I guess it is supposed to be erotic? In the midst of all of this, one of the girls goes missing, making the book part coming-of-age, part mystery. Everything was just a little strange and unfamiliar, including the writing style, but I still liked it!

Jul 07, Jenna Mia rated it it was amazing Shelves: Reminds me so much of something that happened in real life that I was obsessed with for awhile Feb 01, Cherise Wolas rated it really liked it Shelves: At a remote boarding school in the South African veldt, the swimming teacher, Miss G, holds curious and erotic sway over the girls she chooses for the swimming team.

Into their midst comes Fiamma, an Italian girl, perhaps from an aristocratic family. She wants nothing to do with her schoolmates, and is a fantastic freestyle swimmer. Girls in adolescence being taught by eccentric women. There is great atmosphere here, and wonderful depictions of the wildlife, the weather, the river, and the passi At a remote boarding school in the South African veldt, the swimming teacher, Miss G, holds curious and erotic sway over the girls she chooses for the swimming team.

There is great atmosphere here, and wonderful depictions of the wildlife, the weather, the river, and the passion and tribalism of adolescence. During a long dry summer, and after a night of adolescent debauchery, Fiamma goes missing the next day. Forty years later, thirteen members of the missing girl's swimming team return to the school and look back at the long, dry weeks leading to Fiamma's disappearance, teenage memories and emotions resurfacing, and then the reliving of the horror of a long-buried secret.

Mar 10, Jasmine added it. I enjoyed the assortment of narrative techniques -- a detective's interrogation, a series of vingettes, a poem slowly revealed. I appreciated the use of the first person plural, like in The Virgin Suicides. The ending to the book was abrupt and not what I was expecting, probably the point.

I found the resolution to the mystery confusing and the specific actions unfounded. It felt as though there was too much focus on sex for shock value. The ending brought down five stars to four, and maybe less. I didn't mind this book, but I found it a bit disappointing.

I was shocked towards the end and so I hoped that something worse would happen at the very end. Mar 03, Alisha Marie rated it it was ok Shelves: I found my original review! So skip ahead to the more in-depth one I wrote a semi-long review as to why Cracks was just so utterly underwhelming However, I can't for the life of me find that damn review.

I have no idea what file in my many computer files, I stashed it in. So, here's the gist: The book: The author inserts a character with her name in it, which I found self-indulgent. The acting was spot-on. The script took the interesting plot, fixed it up, and added things that just made the characters shine.

You have the meh villain in the book, and you're given a reason as to why she is how she is in the movie. In the book, you see a villain, in the movie you see a complicated, troubled woman who's played by the lovely Eva Green who you are both repulsed and enchanted by before you find out how disturbing and pretty much bat shit crazy she is.

The filmmakers take a mediocre book and turn it into a wonderful movie. So, in conclusion: Getting right into it, I picked up the novel Cracks after I found out that the film, which I had not yet seen but wanted to, was based on it. Read the book in a couple of hours, then watched the film the next day. I have to say that Cracks is one of those rare exceptions where the movie surpasses the book in every way. Usually the way things work when a movie is based on the book is that the movie a lot of the time winds up falling flat when compared to its original source.

It makes sense when you consider that unless it's a mini series , the filmmakers are trying to condense a book into a 2 hour movie. However, seeing as how Cracks was a pretty short book, I found that the opposite happened. I found the characters much more intriguing in the movie than in the book. Take for example the character of Fiamma.

She comes off very aloof and somewhat superior in the book. It makes sense when you consider that Cracks is narrated in the first person by one of the girls on the swimming team, while in a flashback.

Clearly, the narrator would view Fiamma as superior to rationalize her as well as the group's actions towards the end of the book. However, as a reader, you don't get the sense that you know anything about Fiamma. While it's impossible not to sympathize with her considering what happens, you get to see more of Fiamma's essence in the movie.

So, when the end came, I was left feeling equally heartbroken in both the movie and the book, but whereas I felt heartbroken as to what happened to a child in the book, in the movie I was heartbroken as to what happened to Fiamma. While reading, I was kind of baffled as to why all of these girls seemed so infatuated with her.

We don't know much about her in the book, only that she's really manipulative. However, in the film version you get a way more complex character. You get to see how these girls fall in love with her hell, at the beginning I think even I was in love with her , you get to see the depth of her villianness, but you also get a multi-faceted character who while equally mysterious in both the film and the book, is also someone who is endlessly fascinating to analyze now a disclaimer in which I say that her infatuation and subsequent behavior in regards to Fiamma was disgusting and I don't condone anything she did in either the book or the movie.

But she was a damn intriguing character. Also one random thing that bugged me in the book version of Cracks was the fact that the author infiltrated herself into the novel. I understand basing a character on yourself, but once you give that character your full name, I'm inclined to believe that it's a little more than self-indulgent.

We learned about Bloody Mary in history and how she killed lots of people. She was an R. We read a poem by the greatest poet in the English language, according to Miss Lacey, and he asks God to avenge the saints slaughtered by the R. Perhaps Fiamma saw someone slaughtered, and she was thinking about it when she fainted in chapel. Perhaps that is why they have sent her away from her lovely villa which is near a blue lake and mountains.

Fiamma has very white skin and suffers terribly from the mozzies. Fuzzie says Fiamma bathes in champagne to keep her skin so white. Di Radfield says it is milk.

Maybe that is why it attracts the mozzies. Fiamma has big red welts on her calves and her arms. She spits on her mozzie bites and says the mozzies are eating her alive. Ann Lindt told her to use repellent, but Fiamma says it stings too much. Fuzzie says Fiamma fainted because someone gave her the Black Spot. The Black Spot frightened Fiamma because she believes in vendettas like all Italians.

We torture all new girls. We make them eat bitter aloe or swallow cod liver oil. Sheila Kohler tried to make a new girl put her head down the toilet, but the girl refused. Sheila Kohler said, "But you have to," but the girl just walked away. Ann Lindt says she does not think Fiamma would have fainted because of the Black Spot. Ann Lindt knows everything. She reads The Manchester Guardian, which is sent to us from England on special thin airmail paper and pinned to the bulletin board, where it flaps about in the breeze that comes in through the open windows.

Ann Lindt told us we were in danger of war over a crisis in the Suez Canal.

She asked Miss Nieven why the natives do not have the vote. Miss Nieven said democracy takes a long time to develop. Ann Lindt has to wear thick glasses because she is always reading. She reads books by Winston Churchill, who was attacked in an armored train in the Boer War. She sits in the windowsill in the early morning before we get up and reads Winston Churchill's Great Contemporaries and looks up all the words she does not know, words like internecine and belligerent.

She says they do not read Treasure Island in Italy and so Fiamma would not even know that if someone gives you a piece of paper with a round blackened circle on it, it means they are going to kill you. Most of us came here as boarders at five or six because there were no proper schools where we lived.

We left our parents on distant farms or small towns. We traveled alone or in little groups for days on dusty trains through the dry veld. We arrived exhausted and confused, stumbling through the long, narrow dormitories, lit only by matron's torch, and finding our beds among strange sleeping girls.

The sheets smelled damp and funny. We lay awake listening to the dry wind clashing in the palm trees and tried to count the stars. We cried for our mothers until matron came and told us to be quiet, we would wake the other girls. When we got to the hiccupy stage she took our temperature with a thermometer that she keeps in a small glass of Dettol. Her name is Mrs. Looney, and we think she is, too. Even now sometimes, we lie awake sniffing and hiccuping and imagining our mothers.

They come to us in the half-dark, their soft breaths on our cheeks as they sing us familiar songs or recite rhymes we know: She shall have music wherever she goes. At first we saw our mothers' faces as we tried to untangle the knots in our hair, or when we left our soap in the big bath with the feet in the bathroom under the stairs. We thought we heard our mothers calling our names, and we ran down into the bamboo at the end of the garden, catching glimpses of them parting the bamboo and stepping toward us in green silk dresses, but it was only the cry of a sparrow hawk or the wind in the leaves.

We made up imaginary friends. Fuzzie's is called Margaret, which is her real name. We call her Fuzzie because of her curly hair. She runs around the hockey field until the breath rasps in her chest, talking to Margaret.

At night in the dormitory Fuzzie tells us stories of Chinese girls who have blue eyes and blonde hair, and Zulu maidens as pale as lilies.

Ann Lindt interrupts and says such things are not possible. But we like to fall asleep to the sound of Fuzzie's voice. We feel ourselves spin out into the darkness, round and round, like a leaf on a lake.

Before she fainted in chapel this morning, Fiamma rose at dawn and went to swimming practice. Fiamma may be an R. Miss G says she can teach anyone to swim fast. All you have to do is to desire it.

Miss G says desire is everything. We all like the way she says desire. Miss G made us all race this year, now that we are in the senior school. She said we could choose any stroke we liked. She made us wait forever on the grass in our thin black costumes, while she strode up and down the edge of the pool with the yellow whistle in her mouth.

Miss G's hair is glossy as a blackbird's and cropped so short you can see the bristles at the back. When she strides up and down you can see the shimmer of sweat on her strong arms and the dark shadow of the shaved hair between her long, brown legs. We felt the sun burning the skin on our shoulders puce.

We licked powdered sugar from the flat of our palms for energy. Then Miss G called out our names and had us line up.

Our legs felt watery, like the reflections of legs in water. We giggled and squirmed and pulled the straps of our green plastic caps away from our chins. She lifted her black gun in the white air and fired.

We heard the crack of the gun. Birds shot up in the air. We flung ourselves across the water for the two lengths. We splashed and kicked into one another. Fiamma left the best of us behind after a few strokes. When Sheila Kohler saw she was not winning she threw her hands up in the air and sank down into the water. Fiamma says her house is surrounded by regular gardens with gravel paths and ancient trees and a stone wall by the lake.

She says the house is old and large and filled with flowers, and the cannas flame red and orange at the edge of the lawns. There are flowers in every room - roses and sweet peas and strelizias.

There are lilies and peonies and baby's breath. There are flowers everywhere, she says - on every table and cabinet and inlaid chest, on every marble mantelpiece and even on the tops of bookcases.

In the entrance hall there is a forest of flowers. Fiamma maintains the whole house looks like a hothouse. She says there are many old paintings lit up with little lamps over the gold frames.

Mostly, they are so dark you can hardly see the half-peeled fruit or bleeding hares. In one of the paintings she says there are two women staring at you, face-on, with a sort of dead expression. Their hair is done up high on their heads, and their stiff boosies are bare. One of the women holds a nipple of the other gently between her long white finger and thumb.

Di Radfield says she woke up early, too, before chapel this morning and saw Fiamma hunting for her swimming costume. Fiamma is always losing things. She is used to having servants pick up her clothes from the marble floors of her big villa. Fiamma brushes her cheeks with a toothbrush every night before she goes to bed to make them glow.

She adds an Alka Seltzer to the flat water to make it fizz. She curtseys when she shakes hands with a grown-up. Miss G says that no one will tell us the truth about life, certainly not that bunch of spinsters who know nothing about it.

She says, "Think of the water as your home. Learn to do without breath. Stay light. She tells us not to make any splash, to slice silently through the water, to swim out of rage and for God. We all wore our panama hats and our white Sunday dresses with the mother-of-pearl buttons down the front for confirmation, because Miss Nieven said this was not a fashion show. When we were confirmed, we had to go to confession for the first and the last time in our lives.

Sheila Kohler cried afterwards. She said she had told the minister she had read banned books, but she was not sorry, because they told the truth. We know who has the curse and who does not because we play Truth in the dormitory at night. We put our hands into a pile and then pull them out.

Someone sits on the sidelines and calls out "Stop," and whoever has her hand at the bottom of the pile has to tell the truth. That's how we learned that Meg Donovan let a boy put his finger up her winkie. Di said she was jealous of Meg and followed her around for days like a dog.

Di says we get the curse early because we live in such a hot country, but Fiamma is an aristocrat and they do not get the curse as early as commoners, because they have blue blood. Di Radfield says she had finished swimming practice this morning before anyone else arrived.

She says she saw the whole thing. Miss G was at the swimming pool early, striding up and down the edge of the pool. Then Fiamma got out of the pool and did a perfect swallow dive from the high board, opening her arms on the rising sun and orange sky for Miss G. Di Radfield says she remained silently in the shadows in the changing room, waiting to see what would happen. She watched Miss G follow Fiamma into the changing room, going toward Fiamma with the light behind her.

Di could not see Fiamma's face, because her back was turned toward Di. Slowly Fiamma slipped her arms out of her swimming suit straps and folded down the top of her bathing costume. She spread her arms out on either side and shook her shoulders in a sort of dance.

Little drops of water fell onto the concrete floor from the tips of her fluttering fingers. She stepped out of her swimming costume.

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